Add Reverb To Audio
Now that we've had some time to learn about recording, let's get into adding some FX to what we've recorded. If you remember, we learned about adding FX inside of Reason.
In Pro Tools, it's going to be different. There are different types of audio editing. Commonly used terms are Destructive and Non-Destructive editing. Destructive editing happens when you make edits directly to the audio file. These edits are non-reversible and therefor considered destructive.
Non-Destructive editing is editing that doesn't have any effect on the audio file itself. The results of a Non-Destructive editing are reversible, so if you make a change now that you later decide you don't like, you can easily make adjustments without having to worry about your audio file being potentially damaged.
Let's look at how we can use Non-Destructive Editing to add FX to an audio track in Pro Tools.1. Open Pro Tools2. Open a Pro Tools Session that contains recorded audio.3. Create a Master Fader Track. This will help us to monitor and make any necessary adjustments to the volume of your session.
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In this course, author Bobby Owsinski reveals industry tips, tricks, and techniques for producing professionally mixed audio on any digital audio workstation. He offers recommendations for setting up an optimal listening environment, highlights the most efficient ways to set up and balance a mix, and shows how to build a powerful sound with compression. The course also explains how to master the intricacies of EQ; incorporate reverb, delay, and modulation effects; and generate the final mix. With 23 books (and counting), Bobby Owsinski is a bestselling author and thought leader in the music business.Using his music and recording experience combined with an easy-to-understand writing style, Bobby Owsinski has become one of the best-selling authors in the music recording industry, with sixteen books that are now staples in audio recording, music, and music business programs in colleges around the world. Based in Los Angeles, Bobby is also a producer of several music-oriented television shows and can frequently be seen as a moderator, panelist, or presenter at a variety of industry conferences.
Related courses. Course TranscriptSince the lead vocal is usually the focal point of a song, reverb setting is critical because of how it can make the vocal sound. Pick the right one and it'll add the extra professional sounding sheen that all hit records have. Pick the wrong one and it'll sound washed out and lost in the track.
Add Reverb To Audio In Final Cut Pro
In this video, I'll show you how to get the best reverb sound for your vocal. Many times the lead vocal has a lot more reverb on it than it seems, but it's disguised by the way it's tailored in that it uses a high-pass filter and a low-pass filter and maybe even some additional reverb so it fits better in the mix. Other times it's really important that we hear the reverb and every effort is made to maintain or even equalizes its high-frequency response just so we can hear it and it sticks out. Bells that have a long period of space in between vocal lines will usually benefit from a longer reverb decay that's obvious in the mix. So let's have a listen to the lead vocal here and see what we can.
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Practice while you learn with exercise files.